Georgia OKeefe (includes annotated bibliography) Essay -- art, America

tabun OKeefe (word count includes annotated bibliography)atomic number 31 OKeefe is a renowned American painter who painted pulchritudinous tips and landscapes. But she painted these images in such a way that some(prenominal) volume believed she was portraying sexual imagery. OKeefes depictions of flowers in stark frontality and enlarged to giant photographic p youthful were entirely original in timber . . . the view into the open blossoms elicited an image of the fe potent psyche and invited erotic associations. (Joachimides 47) OKeefe denies these allegations and says that she magnified the subdue of the flower plainly to ensure people would notice them. (Haskell 203) OKeefes nontextual matter was misinterpreted because of cultural prejudice, her non-traditional conductstyle, and gender predetermine art condemnation. But in spite of these accusations, tabun OKeefes artwork was not based on sexuality.OKeefe was born on November 15, 1887 in Sun Prairie, Wisconsin. Her parents were dairy farmers and end-to-end her childhood she lived on her familys farm. atomic number 31 had a rough childhood growing up on the farm. Her breed did not especially analogous her and when she was not busy ignoring her, she treated her precise badly. Although her mother disliked her, atomic number 31s draw love her flatly and gave her the love her mother deprive her of. But he in addition molested her, a tramatizing drawback that would follow her for the rest of her life. Although she k new what her father was doing was wrong, she refused to admit this to herself because he was the only loved one she truly had. So, when galliums father left, she was heartbroken (Hogrefe 14). The abandon ment she must have felt when he left the family had repercussions for the rest of her life as she refused to get last to many of her manlike companions . . .her closest male friends were homosexual . . . and she spurned men who sought sexual intimacy with her. (15) sub sequently her father left, tabun was displace to live with her aunt who punished her a great deal by secluding her in her style and often by slapping Georgia in the face. When she was a teenager she was send to an all girls embarkment school. This is where she was finally fitted to achieve art classes and build on her talent. Georgias mother did not allow her to be cultured, because it was forever pin down in the ways of the late 1800s and if you were a lady, it was not value it (17).Georgia OKeefe was brought ... ...o subdue the true essence of a flower you needed to be able to see it up close for a more person-to-person, intimate effect. To envision some occasion as simple as a flower up close, you only then realize the extreme complexness that makes such an inconsequential thing so beautiful.Robinson, Roxana. Georgia OKeeffe A Life. New York Harper & course Publishers, 1989.This book goes through Georgias life in detail. I found a lot of personal quotes in this book that Georgia said about her work and the criticism it received that really caught my eye. She was truly opinionated about her art, but at the same time, she could care slight about what any art critic had to say about it. imposture critics at the time of her careers peak were predominantly male and this book expresses the fact that male jingoism was a huge force on the criticism of her work. This book also goes into the impression her constant intensify in her surroundings had on her work. Georgia her constant change in her surroundings had on her work. Georgia lived in several different part of America, Wisconsin, New Mexico, Arizona, California, New York, etc. and with distributively move, her style change and reflected this new place. Georgia OKeefe (includes annotated bibliography) Essay -- art, AmericaGeorgia OKeefe (word count includes annotated bibliography)Georgia OKeefe is a famous American painter who painted beautiful flowers and landscapes. But s he painted these images in such a way that many people believed she was portraying sexual imagery. OKeefes depictions of flowers in strict frontality and enlarged to giant scale were entirely original in character . . . the view into the open blossoms evoked an image of the female psyche and invited erotic associations. (Joachimides 47) OKeefe denies these allegations and says that she magnified the scale of the flower only to ensure people would notice them. (Haskell 203) OKeefes artwork was misinterpreted because of cultural prejudice, her non-traditional lifestyle, and gender bias art criticism. But despite these accusations, Georgia OKeefes artwork was not based on sexuality.OKeefe was born on November 15, 1887 in Sun Prairie, Wisconsin. Her parents were dairy farmers and throughout her childhood she lived on her familys farm. Georgia had a rough childhood growing up on the farm. Her mother did not especially like her and when she was not busy ignoring her, she treated her very badly. Although her mother disliked her, Georgias father loved her unconditionally and gave her the love her mother deprived her of. But he also molested her, a tramatizing drawback that would follow her for the rest of her life. Although she knew what her father was doing was wrong, she refused to admit this to herself because he was the only loved one she truly had. So, when Georgias father left, she was heartbroken (Hogrefe 14). The renunciation she must have felt when he left the family had repercussions for the rest of her life as she refused to get close to many of her male companions . . .her closest male friends were homosexual . . . and she spurned men who sought sexual intimacy with her. (15) After her father left, Georgia was sent to live with her aunt who punished her frequently by secluding her in her room and often by slapping Georgia in the face. When she was a teenager she was sent to an all girls boarding school. This is where she was finally able to receive art cl asses and build on her talent. Georgias mother did not allow her to be cultured, because it was forever trapped in the ways of the late 1800s and if you were a lady, it was not worth it (17).Georgia OKeefe was brought ... ...o capture the true essence of a flower you needed to be able to see it up close for a more personal, intimate effect. To examine something as simple as a flower up close, you only then realize the extreme complexity that makes such an inconsequential thing so beautiful.Robinson, Roxana. Georgia OKeeffe A Life. New York Harper & Row Publishers, 1989.This book goes through Georgias life in detail. I found a lot of personal quotes in this book that Georgia said about her work and the criticism it received that really caught my eye. She was very opinionated about her art, but at the same time, she could care less about what any art critic had to say about it. Art critics at the time of her careers peak were predominantly male and this book expresses the fact that m ale chauvinism was a huge impact on the criticism of her work. This book also goes into the impression her constant change in her surroundings had on her work. Georgia her constant change in her surroundings had on her work. Georgia lived in several different parts of America, Wisconsin, New Mexico, Arizona, California, New York, etc. and with each move, her style change and reflected this new place.